Rude Girl Mag

'Cause we're tired of being left out
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fyeahkerrywashington:

Kerry Washington, Viola Davis Set For Adaptation Of Blaxploitation-Set Third Girl from the Left

Originally a book, here’s the synopsis:

Third Girl from the Left is the story of the other side of Hollywood in the 1970’s, of what it means to be black, sexy, smart and full of dreams in a land where “blaxploitation” is as literal as it sounds. Yet this is not a ‘black’ story. This is a vivid and dynamic story about families, all families; and not just the ones we’re born into, but the ones we make for ourselves. It is a compelling saga of love, family secrets and the ambitions of mothers and daughters. It is also a story about the movies and the hold they can have on us, sometimes even despite our better judgment. Angela Edwards, is the shining center of the film, around which we deftly shift points of view, weaving the stories of her mother Mildred and daughter Tamara. Angela and Mildred clash in the way mothers and daughters often do, but manage to forge a bond during many afternoons spent together at the local cinema. Angela yearns to be onscreen herself and eventually leaves her stifling hometown of Tulsa for Hollywood in 1972. It does not live up to her imagination. She does not make it big. Instead, she lands bit parts in campy blaxploitation pictures. In a world where sexual favors to men in power are commonplace, even roles like these require young actresses to offer up more than talent in order to get the gig. Angela dutifully complies. Angela doesn’t become a star, but the allure of movies has marked her for life, just as it did her mother, and just as it will her own daughter.

No word yet on who will play which roles.

Read more

(via daniellemertina)

4,030 notes

afro-orgasm:

“I liked that Cleo wasn’t confused about who she was. She was gay, gay, gay — not bisexual. She’s very specific about what she wants. She digs her girlfriend and she has her homegirls. They’re her best buddies. And that’s her life. It’s all very simple to her. There was some anxiety when I found out that I had to kiss a girl. I can’t lie. I’m already Queen Latifah. I’m not just some actress off the street. But after getting over that, and releasing that anxiety, I went for it.”

-Queen Latifah interview 1996

(via tomboylovesmakeup)

82,995 notes

30down30more:

Red lipstick makes me feel like I could cut a man’s heart out with a high heel shoe and fucking eat it.

You either know what I’m talking about or you don’t 

(via lagio)

30,114 notes

mresundance:

reckonedrightly:

indypendenthistory:

On Sep 13, 1944, a princess from India lay dead at Dachau concentration camp. She had been tortured by the Nazis, then shot in the head. Her name was Noor Inayat Khan. The Germans knew her only as Nora Baker, a British spy who had gone into occupied France using the code name Madeline. She carried her transmitter from safe house to safe house with the Gestapo trailing her, providing communications for her Resistance unit.

Oh my God, yes. Let’s talk about Noor Inayat Khan.
Wireless operators in France had a life expectancy of six weeks. Noor was actively transmitting for over three times as long.
While she was in France, every other wireless operator in her network was slowly picked off until she was the last radio link between London and Paris. It was “the most dangerous and important post in France”.  
She was offered a way back to Britain and refused.
In fact, in her transmissions to London, she once said that she was having the time of her life, and thanked them for giving her the opportunity to do this.
She was captured by the Gestapo, but never gave up: she made three attempt escapes. One involved asking to take a bath, insisting on being allowed to close the door to preserve her modesty, and then clambering onto the roof of the Gestapo HQ in Paris.
Her last word before being shot was, “Liberté!”

The term BAMF was coined for such persons. 

mresundance:

reckonedrightly:

indypendenthistory:

On Sep 13, 1944, a princess from India lay dead at Dachau concentration camp. She had been tortured by the Nazis, then shot in the head. Her name was Noor Inayat Khan. The Germans knew her only as Nora Baker, a British spy who had gone into occupied France using the code name Madeline. She carried her transmitter from safe house to safe house with the Gestapo trailing her, providing communications for her Resistance unit.

Oh my God, yes. Let’s talk about Noor Inayat Khan.

  • Wireless operators in France had a life expectancy of six weeks. Noor was actively transmitting for over three times as long.
  • While she was in France, every other wireless operator in her network was slowly picked off until she was the last radio link between London and Paris. It was “the most dangerous and important post in France”.  
  • She was offered a way back to Britain and refused.
  • In fact, in her transmissions to London, she once said that she was having the time of her life, and thanked them for giving her the opportunity to do this.
  • She was captured by the Gestapo, but never gave up: she made three attempt escapes. One involved asking to take a bath, insisting on being allowed to close the door to preserve her modesty, and then clambering onto the roof of the Gestapo HQ in Paris.
  • Her last word before being shot was, “Liberté!”

The term BAMF was coined for such persons. 

(via merrymagicalbroad)

165 notes

so-treu:

behindthegrooves:

On this day in music history: June 14, 1986 - “Nasty” by Janet Jackson hits #1 on the Billboard R&B singles chart for 2 weeks, also peaking at #3 on the Hot 100 on July 19th. Written by James Harris III, Terry Lewis, and Janet Jackson, it is the second R&B chart topper for the youngest member of the Jackson musical family. The song is inspired by incident that takes place while Janet is hanging out with the producers and childhood friend Melanie Andrews in Minneapolis. Jackson will be accosted by two aggressive men stalking her on the street. Jackson will stand her ground, making them back off. Recorded at Jimmy Jam and Terry Lewis’ Flyte Tyme Studios in September 1985, with the songs unique rhythm being generated by an Ensoniq Mirage digital sampler/synthesizer. Issued as the second single from “Control”,  it is released as the follow up to her first chart topper “What Have You Done For Me Lately?” on April 15, 1986. The songs’ memorable video (shot on Skid Row in downtown Los Angeles) is directed by Mary Lambert (Madonna, Prince, Chris Isaak, Annie Lennox) and is choreographed by Paula Abdul who also makes a cameo appearance. “Nasty” is certified Gold in the US by the RIAA.

GIMMIE A BEAT.

(via 2brwngrls)